The file download will begin after you complete the registration.
Downloader's Terms of Service | DMCA
Frankenstein The title of the novel refers to a scientist, Victor Frankenstein, who learns how to create life and creates a being in the likeness of man, but larger than average and more powerful.
For an English class
I chose this classic book to read for my English class and this did not disappoint Shelley shows 2 sides to the “monster”, giving him a sense of compassion and making the story even more intriguing than everybody already views it as.
Wat was shelley thinking?
Read in English
Good but confusing book at times- read this in English (I'm in year 9) . We were aloud to use our phones!
After having read snippets of the novel in class throughout my school and college years I finally decided to give this classic a read and have to say it was extremely disappointing. Shelley's use of language has opened up my vocabulary and gained me some literary knowledge that I lacked in previously, but the actual story itself is beyond boring. It's 700 pages of irrelevant descriptions of landscapes, which were not detailed enough that I could build up an accurate image of what was being described and the rest is merely depressed ramblings of a mad man. The monster being portrayed as the villain is very simplistic and unfair, as I believe Viktor to be the true monster in this story. His own self loathing and inability to make a change makes his character unbearable and hard to sympathise with and he consistently fails to take responsibility for his own actions, therefore projecting his own flaws onto his creation. I was proud to have reached the end, but this novel is definitely one I wouldn't re-read in the future as I found it to be lacking in suspense and a majority of the time I found myself falling asleep whilst reading as it was just that dull.
By Yusuf Fulat
A fantastic tale. A moving story. An absolute must read
Such a great read. Read it everyday to work... Loved it!
I spent so long hating this book it came as quite a surprise to me that I actually rather enjoyed it. It's a difficult read with the gratuitous use of description, particularly of nature, but the poignancy of the end makes up for it. For all their faults and actions, Shelley makes it difficult not to sympathise with both Creator and Creature in the closing pages of the novel, and to see the terrible waste of life in both that of the victims of their actions and the two 'monsters' themselves. It is easy to see why this novel is regarded as a classic of English literature. Well worth a read, if you can spare the time.
Forgot my book at school!
I forgot my book at school so I had to get it on my iPad and I realised it was free!! And it was the exact same book so I am really happy and the book was ok but it saved my life from getting a bad grade at school!!!
This book is truly fabulous. Shelley has a unique way of creating characters that one immediately feels for. This is one of the best books I have ever read.
Not a good book
By Joe Trotman
Overall I was disappointed with this book. The language in the prose is of it's time but the dialogue is over flowery and has neither realism nor the wit and insight of Shakespearean characters. In fact the only speech that rang true was Frankenstein's attempt to rouse courage in his shipmates. The sentiment of this I like but it's purpose in the novel I think misguided. The comparison between the expected physical torture and the torture of the soul is good but is continual and ends up filling most of the book. Torture is just one of far too many words that are over used. The descriptions of journeys and landscapes are long and not too descriptive not adding much to the tale at all. The book would have been better set solely in a small town or village. This would stop the plot from relying on unbelievable coincidences just to satisfy the allegory. This too is basic and can be summarised by the transformation of the monster from kind and benevolent to sinister ogre. This is achieved by the first murder and his hinted rape, leaving the rest of his labours, and indeed the novel to be unnecessary. The main problem I have though is the characterisation of the monster as a murderer and tormentor which is simplistic at best. In my experience these are jealous passions more suited to man and beast than the so-called monsters who walk this earth. Indeed many creatures blessed with the considerable talents of the "daemon" are gentle and beautiful beings though their skin is yellowed by creation or weariness but not disformity. On the subject of murder it is interesting and apt that even the fiend that Shelley imagines will not slaughter lamb for food. The desire for a mate humanises the monster but his willingness to describe her as hideous and disfigured before even laying eyes on her discredits Shelley's character as he is seemingly endowed with great intelligence and depth. The description of misery, in man and monster, though is superb. It is vivid and varied and invokes emotions that all men have felt but few could succinctly put into words. Overall I give the book 2 stars out of 5 for it's eloquent and evocative depiction of woe, particularly in the monster. I feel it lacks in all other quarters however, particularly realism.
Mary Shelley Written when she was only 19, Frankenstein is Mary Shelley's most famous novel. This gothic horror classic tells the story of the brilliant but tortured scientist Victor Frankenstein and the monster he built from exhumed body parts. Often interpreted as warning against the changes that science and the industrial revolution brought upon humanity, this sorrowful retelling of the creation myth has had an unparalleled influence on literature and popular culture and has been hailed as a forerunner of modern science fiction.
Mary Shelley Frankenstein, or, The modern Prometheus, Mary Wollstonecraft Shelley. Revised version of http://ota.ox.ac.uk/id/1922 . Frankenstein / Mary W. Shelley Shelley, Mary Wollstonecraft, 1797-1851 xii, 242 p. ; 18 cm. Dent ; Dutton London ; New York 1912 Everyman's library ; no. 616 General editor of series: Ernest Rhys
Mary Shelley Frankenstein; or, The Modern Prometheus is the original 1818 'Uncensored' Edition of Frankenstein as first published anonymously in 1818. This original version is much more true to the spirit of the author's original intentions than the heavily revised 1831 edition, edited by Shelley, in part, because of pressure to make the story more conservative. Many scholars prefer the 1818 text to the more common 1831 edition.
Frankenstein; or, The Modern Prometheus is a novel written by Mary Shelley about a creature produced by an unorthodox scientific experiment. Shelley started writing the story when she was nineteen, and the novel was published when she was twenty-one. The first edition was published anonymously in London in 1818. Shelley's name appears on the second edition, published in France in 1823.
Shelley had travelled in the region of Geneva, where much of the story takes place, and the topics of galvanism and other similar occult ideas were themes of conversation among her companions, particularly her future husband, Percy Shelley. The storyline emerged from a dream. Mary, Percy, Lord Byron, and John Polidori decided to have a competition to see who could write the best horror story. After thinking for weeks about what her possible storyline could be, Shelley dreamt about a scientist who created life and was horrified by what he had made. She then wrote Frankenstein.
Mary Shelley Frankenstein; or, The Modern Prometheus, is a novel written by English author Mary Shelley about eccentric scientist Victor Frankenstein, who creates a grotesque creature in an unorthodox scientific experiment. Shelley started writing the story when she was eighteen, and the novel was published when she was twenty. The first edition was published anonymously in London in 1818. Shelley's name appears on the second edition, published in France in 1823.
This Beneath the Ink enhanced edition includes maps, images and supplemental text designed to let readers delve deeper into the world of Frankenstein and see through the eyes of Mary Shelley.
Mary Shelley Nominated as one of America’s best-loved novels by PBS’s The Great American Read
At the age of eighteen, Mary Shelley, while staying in the Swiss Alps with her lover Percy Shelley, Lord Byron, and others, conceived the tale of Dr. Victor Frankenstein and the monster he brings to life. The resulting book, Frankenstein; or, The Modern Prometheus, is a dark parable warning against the risks of scientific and creative endeavor, the corrupting influence of technology and progress, and the dangers of knowledge without understanding. Frankenstein was an instant bestseller on publication in 1818 and has long been regarded as a masterpiece of suspense, a classic of nineteenth-century Romanticism and Gothic horror, and the prototype of the science fiction novel. Though it has spawned countless imitations and adaptations, it remains the most powerful story of its kind.
Mary Shelley Frankenstein is a novel written by Mary Shelley. The title of the novel refers to a scientist, Victor Frankenstein, who learns how to create life and creates a being in the likeness of man, but larger than average and more powerful. Frankenstein is infused with some elements of the Gothic novel and the Romantic movement, and is also considered to be one of the earliest examples of science fiction
Mary Shelley & Maurice Hindle Victor Frankenstein is obsessed with the secret of resurrecting the dead. But when he makes a new 'man' out of plundered corpses, his hideous creation fills him disgust.
Rejected by all humanity, the creature sets out to destroy Frankenstein and everyone he loves. And as the monster gets ever closer to his maker, hunter becomes prey in a lethal chase that carries them to the very end of the earth.
Mary Shelley A timeless, terrifying tale of one man’s obsession to create life—and the monster that became his legacy.
Mary Shelley began writing Frankenstein when she was only eighteen. At once a Gothic thriller, a passionate romance, and a cautionary tale about the dangers of science, Frankenstein tells the story of devoted science student Victor Frankenstein. Obsessed with discovering the cause of generation and life, and bestowing animation upon lifeless matter, Frankenstein assembles a human being from stolen body parts; but upon bringing it to life, he recoils in horror at the creature’s hideousness. Tormented by isolation and loneliness, the once-innocent creature turns to evil and unleashes a campaign of murderous revenge against his creator, Dr. Frankenstein.
Frankenstein, an instant bestseller and an important ancestor of both the horror and science-fiction genres, not only tells a terrifying story, but also raises profound, disturbing questions about the very nature of life and the place of humankind within the cosmos: What does it mean to be human? What responsibilities do we have to each other? How far can we go in tampering with Nature? In our age, filled with news of organ donation, genetic engineering, and bio-terrorism, these questions are more relevant than ever.
Mary Shelley A landmark work of romantic and gothic literature, as well as science fiction, the novel's storyline emerged from a dream and Shelley's own travels of the region in which the story unfolds. Mary Shelley started writing the story when she was just eighteen.
James Joyce, Rudyard Kipling, D. H. Lawrence, Thomas Mann, H. P. Lovecraft, Marcel Proust, Herman Melville, EDGAR ALLAN POE, Bram Stoker, Leo Tolstoy, Jules Verne, H. G. Wells, Oscar Wilde, Mark Twain, Stendhal, Rabindranath Tagore, Jack London, Mary Shelley, George Sand, William Somerset Maugham, Walter Scott, Upton Sinclair, Robert Louis Stevenson, Jonathan Swift & Rebecca West This 2nd volume of contains the following 50 works, arranged alphabetically by authors’ last names:
Jerome, Jerome K.: Three Men in a Boat
Joyce, James: A Portrait of the Artist as a Young Man
Joyce, James: Ulysses
Kingsley, Charles: The Water-Babies
Kipling, Rudyard: Kim
La Fayette, Madame de: The Princess of Clèves
Laclos, Pierre Choderlos de: Dangerous Liaisons
Lawrence, D. H.: Sons and Lovers
Lawrence, D. H.: The Rainbow
Le Fanu, Sheridan: In a Glass Darkly
Lewis, Matthew Gregory: The Monk
Lewis, Sinclair: Main Street
London, Jack: The Call of the Wild
Lovecraft, H.P.: At the Mountains of Madness
Mann, Thomas: Royal Highness
Maugham, William Somerset: Of Human Bondage
Maupassant, Guy de: Bel-Ami
Melville, Herman: Moby-Dick
Poe, Edgar Allan: The Fall of the House of Usher
Proust, Marcel: Swann's Way
Radcliffe, Ann: The Mysteries of Udolpho
Richardson, Samuel: Clarissa
Sand, George: The Devil’s Pool
Scott, Walter: Ivanhoe
Shelley, Mary: Frankenstein
Sienkiewicz, Henryk: Quo Vadis
Sinclair, May: Life and Death of Harriett Frean
Sinclair, Upton: The Jungle
Stendhal: The Red and the Black
Stendhal: The Chartreuse of Parma
Sterne, Laurence: Tristram Shandy
Stevenson, Robert Louis: Treasure Island
Stoker, Bram: Dracula
Stowe, Harriet Beecher: Uncle Tom’s Cabin
Swift, Jonathan: Gulliver's Travels
Tagore, Rabindranath: The Home and the World
Thackeray, William Makepeace: Vanity Fair
Tolstoy, Leo: War and Peace
Tolstoy, Leo: Anna Karenina
Trollope, Anthony: The Way We Live Now
Turgenev, Ivan: Fathers and Sons
Twain, Mark: The Adventures of Huckleberry Finn
Verne, Jules: Journey to the Center of the Earth
Wallace, Lew: Ben-Hur
Wells, H. G.: The Time Machine
West, Rebecca: The Return of the Soldier
Wharton, Edith: The Age of Innocence
Wilde, Oscar: The Picture of Dorian Gray
Xueqin, Cao: The Dream of the Red Chamber
Zola, Émile: Germinal
Mary Shelley The best-selling student edition on the market, now available in a Second Edition.Almost two centuries after its publication, Frankenstein remains an indisputably classic text and Mary Shelley’s finest work.This extensively revised Norton Critical Edition includes new texts and illustrative materials that convey the enduring global conversation about Frankenstein and its author. The text is that of the 1818 first edition, published in three volumes by Lackington, Hughes, Harding, Mavor, and Jones. It is accompanied by an expansive new preface, explanatory annotations, a map of Geneva and its environs, and seven illustrations, five of them new to the Second Edition.Context is provided in three supporting sections: “Circumstance, Influence, Composition, Revision,” “Reception, Impact, Adaptation,” and “Sources, Influences, Analogues.” Among the Second Edition’s new inclusions are historical-cultural studies by Susan Tyler Hitchcock, William St. Clair, and Elizabeth Young; Chris Baldrick on the novel’s reception; and David Pirie on the novel’s many film adaptations. Related excerpts from the Bible and from John Milton’s Paradise Lost are now included, as is Charles Lamb’s poem “The Old Familiar Faces.”“Criticism” collects sixteen major interpretations of Frankenstein, nine of them new to the Second Edition. The new contributors are Peter Brooks, Bette London, Garrett Stewart, James. A. W. Heffernan, Patrick Brantlinger, Jonathan Bate, Anne Mellor, Jane Goodall, and Christa Knellwolf.A Chronology and Selected Bibliography are also included.
Mary Shelley Frankenstein, by Mary Shelley, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics:
• New introductions commissioned from today’s top writers and scholars
• Biographies of the authors
• Chronologies of contemporary historical, biographical, and cultural events
• Footnotes and endnotes
• Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work
• Comments by other famous authors
• Study questions to challenge the reader’s viewpoints and expectations
• Bibliographies for further reading
• Indices & Glossaries, when appropriate
All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader’s understanding of these enduring works.
Mary Shelley began writing Frankenstein when she was only eighteen. At once a Gothic thriller, a passionate romance, and a cautionary tale about the dangers of science, Frankenstein tells the story of committed science student Victor Frankenstein. Obsessed with discovering "the cause of generation and life" and "bestowing animation upon lifeless matter," Frankenstein assembles a human being from stolen body parts but; upon bringing it to life, he recoils in horror at the creature?s hideousness. Tormented by isolation and loneliness, the once-innocent creature turns to evil and unleashes a campaign of murderous revenge against his creator, Frankenstein.
Frankenstein, an instant bestseller and an important ancestor of both the horror and science fiction genres, not only tells a terrifying story, but also raises rofound, disturbing questions about the very nature of life and the place of humankind within the cosmos: What does it mean to be human? What responsibilities do we have to each other? How far can we go in tampering with Nature? In our age, filled with news of organ donation genetic engineering, and bio-terrorism, these questions are more relevant than ever.
Karen Karbiener received a Ph.D. from Columbia University and currently teaches literature at New York University.
Mary Shelley Mary Shelley’s astounding look at the end of the world
Set at the end of the twenty-first century, The Last Man is a moving and fantastical account of the apocalypse. Faced with a populace clamoring for more democratic rule, the last king of England relinquishes his throne. Suddenly a mysterious plague sweeps the globe, drawing ever nearer to England. As war, disease, and death ravage humanity, ideals of fairness and love are quickly supplanted by the imperative of survival.
With semibiographical characters drawn from Shelley’s own inner circle of friends and colleagues, this book is at once a look at the end of mankind and a critique of Romanticism. The Last Man’s themes of destruction resonate as much now as they did nearly two hundred years ago.
This ebook has been professionally proofread to ensure accuracy and readability on all devices.
• Includes beautiful artworks and illustrations
• INCLUDES AN EMBEDDED AUDIOBOOK
• Active Table of Contents for an easy navigation within the book
• Manually coded and crafted by professionals for highest formatting quality and standards
Check out ngims Publishing's other illustrated literary classics. The vast majority of our books have original illustrations, embedded audiobook, navigable Table of Contents, and are fully formatted. Browse our library collection by typing in ngims plus the title you're looking for, e.g. ngims Gulliver's Travels.
Ebooks on the web are not organized for easy reading, littered with text errors and often have missing contents. You will not find another beautifully formatted classic literature ebook that is well-designed with amazing artworks and illustrations and an embedded audiobook like this one. Our ebooks are hand-coded by professional formatters and programmers. Ebook development and design are the core of what our engineers do. Our ebooks are not the cheap flat text kind, but are built from the ground up with emphasis on proper text formatting and integrity.
Frankenstein is a novel written by Mary Shelley. Shelley started writing the story when she was 18 and the novel was published when she was 19. Through research it can be determined the many influences the author was under during the creation of the novel. She had traveled the region in which the story takes place, and the topics of galvanism and such other occult ideas were themes of conversation among her companions. Frankenstein is infused with some elements of the Gothic novel and the Romantic Movement, and is also considered to be one of the earliest examples of science fiction. It was also a warning against the expansion of modern man in the Industrial Revolution, alluded to in the novel's subtitle, The Modern Prometheus. The story has had an influence across literature and popular culture and spawned a complete genre of horror stories and films. (Wikipedia)
Mary Shelley Notes to the Complete Poetical Works of Percy Bysshe (1839) is a remarkable collection by the romantic poet, Shelley, who wrote more than a thousand pages of poetry over his career. It presents the origin and history of each of his writings as well as the intricacies of the poetry that has kept him alive on the modern literary scene. Mary Shelley edited this delicate commentary.
Mary Shelley Frankenstein; or, The Modern Prometheus is a novel written by English author Mary Shelley that tells the story of Victor Frankenstein, a young scientist who creates a grotesque but sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition of the novel was published anonymously in London in 1818, when she was 20. Her name first appeared on the second edition, published in France in 1823.
Henry James, M. R. James, E. F. Benson, Ambrose Bierce, EDGAR ALLAN POE, H. P. Lovecraft, Edith Wharton, Nathaniel Hawthorne, Lafcadio Hearn, Mary Shelley, Clark Ashton Smith, Bram Stoker, Oliver Onions, Robert W. Chambers, F. Marion Crawford, Arthur Conan Doyle, Washington Irving, Myla Jo Closser, Rebecca Harding Davis, Anatole France, Mary E. Wilkins Freeman, Richard Le Gallienne, Arthur Machen, J. Sheridan Le Fanu, Guy de Maupassant, Elia W. Peattie, Charlotte Riddell, M. P. Shiel & Wilbur Daniel Steele If you were looking for the Holy Bible of the horror anthologies, consider yourself lucky, because you just found it!
Cosmic horror, supernatural events, ghost stories, weird fiction, mystical fantasies, occult narratives, this book plunges you into dark domains and brings you face to face with surreal monstrosities.
This fifth volume of “The Greatest Ghost and Horror Stories Ever Written” features 30 stories by an all-star cast, including Ambrose Bierce, Robert W. Chambers, M. R. James, H. P. Lovecraft, Edgar Allan Poe, Arthur Machen, Bram Stoker, Sheridan Le Fanu, Lafcadio Hearn, Henry James and Mary Shelley, among many others!
Mary Shelley In a series of letters, Robert Walton, the captain of a ship bound for the North Pole, recounts to his sister back in England the progress of his dangerous mission. The mission is soon interrupted by seas full of impassable ice. Trapped, Walton encounters Victor Frankenstein, who has been traveling by dog-drawn sled across the ice and is weakened by the cold. Walton takes him aboard ship, helps nurse him back to health, and hears the fantastic tale of the monster that Frankenstein created.
Mary Shelley “The day passed thus; each moment contained eternity; although when hour after hour had gone by, I wondered at the quick flight of time. Yet even now I had not drunk the bitter potion to the dregs; I was not yet persuaded of my loss; I did not yet feel in every pulsation, in every nerve, in every thought, that I remained alone of my race,—that I was the LAST MAN.”
Imagine that something happens in the world, leaving it empty, leaving nothing behind. Imagine that all the people on the planet, everyone you knew, disappear. Only you, the sky and the ground.
What would you do if you were the last man on the earth?
This apocalyptic, science fiction book by Mary Shelley, tells a story of a future world, in which mankind has died, leaving behind only one man. But this book is more than just a science fiction. It is about the feeling of solitude, desperation, the feeling of selfness, love and passion, following the lonely life of the main character and his three companions. It is an adventure which makes you wonder about life, universe, future and the relativity of everything. Nothing is eternal – one day you are here, the next day you may be gone.
Vividly describing in details every single thing that happens in the book, Shelly drags the readers in the book, enabling them to feel as if they are at that time, with the characters, living the future.
Now, let’s enter the dark, chaotical world and witness the death of the nations and the end of the world.
Leo Tolstoy, Bram Stoker, Mark Twain, Mary Shelley & Washington Irving An anthology of 100 classic stories with an active table of contents to make it easy to quickly find the book you are looking for.
Aaron Trow by Anthony Trollope
The Absence of Mr. Glass by Gilbert K. Chesterton
The Absurdity Is - Just That It Should Be Absurd by Henry Kitchell Webster
Adventure of the Bruce-Partington Plans by Sir Arthur Conan Doyle
Afterward by Edith Wharton
The Altar of the Dead by Henry James
The Atheist's Mass by Honore de Balzac
Black Canaan by Robert E. Howard
The Body-Snatcher by Robert Louis Stevenson
Bred In The Bone by Thomas Nelson Page
The Call of Cthulhu by H. P. Lovecraft
The Case of the White Footprints by R. Austin Freeman
The Crocodile by Fyodor Dostoevsky
The Crystal Egg by H.G. Wells
The Curate and the Actress by Rafael Sabatini
THE CURIOUS CASE OF BENJAMIN BUTTON by F. Scott Fitzgerald
The Damned Thing, by Ambrose Bierce
Dead Ringer by Lester del Rey
The Deserted House by Ernest Theodor Amadeus Hoffmann
A Difficult Problem, by Anna Katharine Green
A Dog's Tale by Mark Twain
Doom of the Griffiths by Elizabeth Gaskell
The Ebony Frame by E. Nesbit
An Echo Of Antietam by Edward Bellamy
Eeldrop and Appleplex by T.S. Eliot
Evidence by Murray Leinster
Exile by Horace Brown Fyfe
The Eyes Have It by James McKimmey
The Fall of the House of Usher by Edgar Allen Poe
The Familiar by J. Sheridan Le Fanu
George Silverman's Explanation by Charles Dickens
The Gift of the Magi by O. Henry
A Hunger Artist by Franz Kafka
In the Year 2889, by Jules Verne and Michel Verne
The Invisible Girl by Mary Shelley
The Judas Valley by Gerald Vance
Keep Out by Fredric Brown
The Last Evolution by John Wood Campbell
The Legend of Sleepy Hollow by Washington Irving
The Machine Stops by E.M. Forster
Mammy Tittleback and Her Family by Helen Jackson
The Man Who Would Be King by Rudyard Kipling
Mary Shelley This drawing represented a lovely girl in the very pride and bloom of youth; her dress was simple, in the fashion of the day - (remember, reader, I write at the beginning of the eighteenth century), her countenance was embellished by a look of mingled innocence and intelligence, to which was added the imprint of serenity of soul and natural cheerfulness. She was reading one of those folio romances which have so long been the delight of the enthusiastic and young; her mandoline was at her feet - her parroquet perched on a huge mirror near her; the arrangement of furniture and hangings gave token of a luxurious dwelling, and her attire also evidently that of home and privacy, yet bore with it an appearance of ease and girlish ornament, as if she wished to please. Beneath this picture was inscribed in golden letters, "The Invisible Girl."
This book comes with a fully synchronized audio recording.
Mary Shelley "Grimly enlivens the prose while retaining its power to both frighten and engage sympathy for the monster-creator Victor Frankenstein. This is a richly morose nightmare of a book, a primer for young readers on the pleasures and dangers of decadent languidness."—New York Times Book Review
Gris Grimly's Frankenstein is a twisted, fresh, and utterly original full-length, full-color graphic-novel adaptation of Mary Shelley's original text, brought to life by acclaimed illustrator Gris Grimly. The first fully illustrated version to use the original 1818 text, this handsome volume is destined to capture the imagination of those new to the story as well as those who know it well.
New York Times bestselling illustrator Gris Grimly has long considered Frankenstein to be one of his chief inspirations. From the bones and flesh of the original, he has cut and stitched Mary Shelley's text to his own artwork, creating something entirely new: a stunningly original remix, both classic and contemporary, sinister and seductive, heart-stopping and heartbreaking.
Mary Shelley The premier monster story of English literature—a tale of science pursued to horrifying extremes An origin story nearly as famous as the book itself: One dreary summer on the shores of Lake Geneva, amid discussions of galvanism and the occult and fireside readings from a collection of German ghost stories, Lord Byron proposed a game. Each of his guests—eighteen-year-old Mary Godwin and her future husband, the poet Percy Bysshe Shelley, among them—would try their hand at writing a tale of the supernatural. Unable at first to think of a plot, Mary was visited one sleepless night by the terrible vision of a corpse, a “hideous phantasm of a man,” lurching to life with the application of some unknown, powerful force. The man responsible, a “pale student of unhallowed arts,” fled in horror from his creation, leaving it to return to the dead matter from which it had been born. But the monster did not die. It followed the man to his bedside, where it stood watching him with “yellow, watery, but speculative eyes”—eyes of one who thought, and felt. The novel that Mary Shelley would go on to publish, the legend of Victor Frankenstein and his unholy creation, and their obsessive, murderous pursuit of each other from Switzerland to the North Pole, has been the stuff of nightmares for nearly two centuries. A masterpiece of Romantic literature, it is also one of the most enduring horror stories ever written. This ebook has been professionally proofread to ensure accuracy and readability on all devices.
“A remarkable work . . . fueled by the kind of grotesque, faintly absurd, and wildly inventive images that spring direct from the unconscious.” —Joyce Carol Oates “A mystical morality tale about what happens when man dares to transgress the limits of knowledge.” —Stephen King Mary Shelley (1797–1851) was the only daughter of the political philosopher William Godwin and Mary Wollstonecraft, celebrated author of A Vindication of the Rights of Woman. At the age of sixteen, Shelley (then Mary Godwin) scandalized English society by eloping with the poet Percy Bysshe Shelley, who was married. Best known for the genre-defining Frankenstein (1818), she was a prolific writer of fiction, travelogues, and biographies during her lifetime, and was instrumental in securing the literary reputation of Percy Shelley after his tragic death.
Mary Shelley, Harold Bloom & Douglas Clegg 200 years after it was first published, Mary Shelley's Frankenstein has stood the test of time as a gothic masterpiece—a classic work of humanity and horror that blurs the line between man and monster...
The story of Victor Frankenstein and the monstrous creature he created has held readers spellbound ever since it was published two centuries ago. On the surface, it is a novel of tense and steadily mounting horror; but on a more profound level, it offers searching illumination of the human condition in its portrayal of a scientist who oversteps the bounds of conscience, and of a monster brought to life in an alien world, ever more desperately attempting to escape the torture of his solitude. A novel of hallucinatory intensity, Frankenstein represents one of the most striking flowerings of the Romantic imagination.
With an Introduction by Douglas Clegg And an Afterword by Harold Bloom
Mary Shelley Le classique des classiques des romans d'horreur gothique! L'effroyable aventure du docteur Victor Frankenstein qui, cherchant à percer le secret de la vie, donna naissance à une créature monstrueuse.
Mary Shelley The editor came across the unpublished texts included in this volume as early as 1905. Perhaps he ought to apologize for delaying their appearance in print. The fact is he has long been afraid of overrating their intrinsic value. But as the great Shelley centenary year has come, perhaps this little monument of his wife's collaboration may take its modest place among the tributes which will be paid to his memory. For Mary Shelley's mythological dramas can at least claim to be the proper setting for some of the most beautiful lyrics of the poet, which so far have been read in undue isolation. And even as a literary sign of those times, as an example of that classical renaissance which the romantic period fostered, they may not be altogether negligible.
These biographical and literary points have been dealt with in an introduction for which the kindest help was long ago received from the late Dr. Garnett and the late Lord Abinger.
Mary Shelley Dr. Frankenstein learns the secret to giving life to inanimate matter. To test his theories, he collects bones from the tombs to construct a "human" being, and then gives it life. The creature, endowed with supernatural size and strength, is revolting to look at, and frightens all who see it. Lonely and miserable, it comes to hate its creator. This tale of terror has been a world favorite since it was first published in 1818. Mary Shelley's original novel is not only a masterwork of horror, but it's also considered to be one of the earliest science fiction stories ever written. Beautifully illustrated, this classic, comic graphic novel captures the imagination of readers of all ages. A must-have for your digital library.
Providence eLearning & Mary Shelley Mary Shelley’s classic 1818 novel "Frankenstein; or, the Modern Prometheus" comes to life in this multi-touch edition from Providence eLearning. Beautifully narrated and enhanced with a digitally linked glossary, review questions, and HD Video Lectures that provide a chapter by chapter explanation of the work. British Literature expert, William Lasseter, takes you on a virtual tour through the dark and tormented story of Victor Frankenstein.
Mary Shelley's work follows the story of a man who uncovers the secret of life and must face the catastrophic consequences for his Promethean audacity. Nearly 200 years after being penned, “Frankenstein” remains one of the most enduring stories in fictional horror. This complex and layered work becomes much more approachable for students and teachers thanks to this 21st century text.
Mary Shelley ENDURING LITERATURE ILLUMINATED BY PRACTICAL SCHOLARSHIP
A timeless, terrifying tale of one man's obsession to create life -- and the monster that became his legacy.
EACH ENRICHED CLASSIC EDITION INCLUDES: A concise introduction that gives readers important background information A chronology of the author's life and work A timeline of significant events that provides the book's historical context An outline of key themes and plot points to help readers form their own interpretations Detailed explanatory notes Critical analysis, including contemporary and modern perspectives on the work Discussion questions to promote lively classroom and book group interaction A list of recommended related books and films to broaden the reader's experience
Enriched Classics offer readers affordable editions of great works of literature enhanced by helpful notes and insightful commentary. The scholarship provided in Enriched Classics enables readers to appreciate, understand, and enjoy the world's finest books to their full potential. SERIES EDITED BY CYNTHIA BRANTLEY JOHNSON
Mary Shelley The classic Frankenstein, by Mary Shelley, tells the story of a man and his monster. Victor Frankenstein creates a human being from stolen body parts. After bringing the creature to life, he is horrified what he has done. The monster, after abandonment and isolation, seeks revenge against his creator.
The cover of this book was designed by Lily Rivera at Shrewsbury High School for SHS Covers the Classics.
The text of the book is from Project Gutenberg.
For more information about SHS Covers the Classics, go to www.shscoverstheclassics.weebly.com.
Mary Shelley & Benjamin Jex The first work of science fiction, this story challenges readers to remove the abstractions of fantasy to seriously consider the meaning of the ideas put forth. What responsibility does a creator have to its sentient creations? How can a being exiled from society, based solely upon what they look like, ever be kind? Set some time aside to explore these and other questions for yourself in this cultural touchstone: Mary Shelley’s Frankenstein.
Mary Shelley Mary Shelley’s Frankenstein is a classic tale of a man-made monster seeking acceptance from society in light of his ghastly appearance and strange upbringing. With Europe as its backdrop in the 1790’s, the story begins with a series of letters exchanged between Captain Robert Walton and his sister that chronicled the story of a man, Victor Frankenstein, whom he meets on the North Pole.
Frankenstein, loved by many decades of readers and praised by such eminent literary critics, seems hardly to need a recommendation. If you haven't read it recently, though, you may not remember the sweeping force of the prose, the grotesque, surreal imagery, and the multilayered doppelgänger themes of Mary Shelley's masterpiece.
After being rescued from near death, Victor Frankenstein tells Robert Walton the story of his upbringing in a warm Swiss family and his fascination with studying how life was formed. He was an avid, amateur scientist who created a "perfect" human from spare body parts - only to have his plan backfire when the monster turned out to be extremely hideous and unappealing. During a brief study and recovery period with Henry Clerval, his closest friend, Frankenstein’s monster navigated the social scene for human friendship and was turned down again and again. After observing a family living in a small cottage, monster Frankenstein mustered the courage to seek an invite before getting rejected again. The last straw, he ventured out to seek revenge on the person who created him.
During his trip back to Geneva, Switzerland - the monster met Frankenstein’s younger brother and killed him for revenge. After his brother’s death, Frankenstein went back to Geneva and found the monster canvassing the same woods his brother was last seen, coming to the realization the monster was responsible for this brutal act. After a short trip to the mountains, the monster caught up to Frankenstein and ordered him to create a female monster from scratch for companionship. After agreeing, he fled to England to start and scrapped the project midway, citing the possibility of further disarray. Knowing his days were numbered after Henry Clerval’s murder, he hastily married his cousin Elizabeth only to find his new wife killed by the monster later.
After paying a visit to the cemetery to meet with his fallen family members, Victor realizes that his life’s goal from that point forward was to hunt down the monster and kill him. Prior, Victor already determines his fate and goes ahead with his wedding day, knowing the monster would catch up to him. Now, he sought to kill the monster to save humanity from his menace. Victor chases after him throughout Europe and the North Pole, where he temporarily loses track of the monster through a crack in the ice where he also meets Robert Walton and his crew. Ambitious, Victor gives a thorough lecture on how chasing glory was his Achilles heel and the dangerous of being too ambitious, citing "tranquility" as one of life’s goals.
The story ends with Victor’s death a while later and the monster’s cries for forgiveness. After a short contemplation by Robert Walton, who promised to kill him if offered the chance, the monster convinced him otherwise - disappearing back North to be never seen again.
Mary Shelley “It was on a dreary night of November that I beheld my man completed ..."
In the summer of 1816, a young, well-educated woman from England traveled with her lover to the Swiss Alps. Unseasonable rain kept them trapped inside their lodgings, where they entertained themselves by reading ghost stories. At the urging of renowned poet Lord Byron, a friend and neighbor, they set their own pens to paper, competing to see who could write the best ghost story. The young woman, Mary Wollstonecraft Godwin, took the prize, with her tale of eccentric scientist Victor Frankenstein, who creates a grotesque creature in an unorthodox scientific experiment. Frankenstein became a bestseller and a Gothic classic that still resonates with readers almost two centuries later…
This is the original, 1818 text. In 1831, the more traditionally first "popular" edition in one volume appeared.This version of the story was heavily revised by Mary Shelley who was under pressure to make the story more conservative, and included a new, longer preface by her, presenting a somewhat embellished version of the genesis of the story. This edition tends to be the one most widely read now but many scholars prefer the 1818 text, arguing that it preserves the spirit of Shelley's original publication.
*Includes links to free, full-length audio recordings of Frankenstein.
*Stunningly illustrated with original art from renowned artists George Du Maurier and Gustave Doré.
Charlotte Brontë, Oscar Wilde, Mary Shelley, Hermann Hesse, Emily Brontë, H.G. Wells, Jerome K. Jerome, L.M. Montgomery, Jules Verne, Daniel Defoe, Joseph Conrad, James Joyce, Lewis Carroll, Randall Parrish, Harriet Beecher Stowe, William Shakespeare & Alexandre Dumas Authors:
Mary Wollstonecraft (Godwin) Shelley
H. G. Wells
Jerome K. Jerome
Lucy Maud Montgomery
Harriet Beecher Stowe
Alexandre Dumas [Pere]
Jane Eyre Anautobiography
The Picture Of Dorian Gray,
The Importance Of Being Earnest A Trivial Comedy For Serious People,
Mary Wollstonecraft (Godwin) Shelley
Frankenstein,Or The Modern Prometheus
H. G. Wells
The War Of The Worlds,
The Time Machine
Jerome K. Jerome
Three Men In A Boat
Lucy Maud Montgomery
Anne Of Green Gables
Around The World In Eighty Days
The Life And Adventures Of Robinson Crusoe
Heart Of Darkness
Through The Looking-Glass
Wolves Of The Sea
Harriet Beecher Stowe
Uncle Tom's Cabin
The Merchant Of Venice
Alexandre Dumas [Pere]
The Count Of Monte Cristo1
The Count Of Monte Cristo2
The Three Musketeers
Mary Shelley Tor Classics are affordably-priced editions designed to attract the young reader. Original dynamic cover art enthusiastically represents the excitement of each story. All editions are complete and unabridged, and feature Introductions and Afterwords.
This edition of Frankenstein includes a Foreword, Biographical Note, and Afterword by Keith Neilson.
When obsessed university student Victor Frankenstein finds the secret of animating dead flesh, he tries to create the first of a master race, stitching rotting corpses into a superhuman giant. Then the ghastly thing opens its hideous, soulless eyes and Frankenstein flees into the night, shrieking with horror--
Leaving a being who wants love and finds hate, wants friends and finds enemies, wants another and finds no one. Frankenstein is its father, mother, maker and living god, and Frankenstein has abandonded his own monster to a living hell of unutterable isolation. But now, unstoppable, the creature means to get revenge for having been born--
Not by killing its creator...but by destroying everything holds dear, and everyone Frankenstein loves...
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Mary Shelley, Larry Weinberg & Ken Barr This timeless classic is now an easy-to-read chapter book!
Victor Frankenstein learns the secret of producing life, and so, by putting together parts of various corpses, he creates the Frankenstein monster. The monster is huge and disformed, but he means no harm to anyone--until constant ill treatment drives him to murder and revenge.
Mary Shelley Considered by some critics as the first work of science fiction it tells the story of a scientist Viktor Frankenstein, who creates a sentient being in an unconventional science experiment. He regrets his creation and abandons it. The creature feels rejected by the world and its rage leaves victims. Viktor is determined to destroy it.
Mary Shelley & Charlotte Gordon For the bicentennial of its first publication, Mary Shelley’s original 1818 text, introduced by National Book Critics Circle award-winner Charlotte Gordon. Nominated as one of America’s best-loved novels by PBS’s The Great American Read
2018 marks the bicentennial of Mary Shelley’s seminal novel. For the first time, Penguin Classics will publish the original 1818 text, which preserves the hard-hitting and politically-charged aspects of Shelley’s original writing, as well as her unflinching wit and strong female voice. This edition also emphasizes Shelley’s relationship with her mother—trailblazing feminist Mary Wollstonecraft, who penned A Vindication of the Rights of Woman—and demonstrates her commitment to carrying forward her mother’s ideals, placing her in the context of a feminist legacy rather than the sole female in the company of male poets, including Percy Shelley and Lord Byron.
This edition includes a new introduction and suggestions for further reading by National Book Critics Circle award-winner and Shelley expert Charlotte Gordon, literary excerpts and reviews selected by Gordon, and a chronology and essay by preeminent Shelley scholar Charles E. Robinson.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
H. P. Lovecraft, Edgar Allan Poe, M. R. James, Henry James, Algernon Blackwood, Wilkie Collins, E. F. Benson, Nathaniel Hawthorne, Ambrose Bierce, Arthur Machen, William Hope Hodgson, Arthur Conan Doyle, Grant Allen, Mary Shelley, Bram Stoker, Theophile Gautier, Richard Marsh, Joseph Sheridan Le Fanu, Thomas Hardy, Charles Dickens, Rudyard Kipling, Guy de Maupassant, Elizabeth Gaskell, Mark Twain, Daniel Defoe, Jerome K. Jerome, Fitz-James O'Brien, Catherine Crowe, Emile Erckmann, Alexandre Chatrian, Pedro de Alarcon, Walter Hubbell, Amelia B. Edwards, Washington Irving, John Meade Falkner, Harriet Beecher Stowe, Mary E. Wilkins Freeman, Louisa M. Alcott, Edith Nesbit, Mary Louisa Molesworth, Francis Marion Crawford, John Kendrick Bangs, Gertrude Atherton, J. K. Huysmans, John Buchan, Sabine Baring-Gould, Cleveland Moffett, Louis Tracy, Nikolai Gogol, James Malcolm Rymer, Thomas Peckett Prest, Frederick Marryat, Oscar Wilde, Robert Louis Stevenson, H.G. Wells, Charlotte Perkins Gilman, W. W. Jacobs, H. H. Munro - "Saki", Wilhelm Hauff, Mary Elizabeth Braddon, Robert W. Chambers, Edward Bulwer-Lytton, Thomas De Quincey, William Makepeace Thackeray, E. T. A. Hoffmann, Robert E. Howard, David Lindsay, Marie Belloc Lowndes, Edward Bellamy, Jack London, Pliny the Younger, Helena Blavatsky, Fergus Hume, Florence Marryat, Villiers de Lisle Adam, William Archer, William F. Harvey, Katherine Rickford, Ralph Adams Cram, Leopold Kompert, Brander Matthews, Vincent O'Sullivan, Ellis Parker Butler, A. T. Quiller-Couch, Fiona Macleod, Lafcadio Hearn, William T. Stead, Gambier Bolton, Andrew Jackson Davis, Nizida, Walter F. Prince, Chester Bailey Fernando, Leonard Kip, Frank R. Stockton, Bithia Mary Croker, Catherine L. Pirkis, Leonid Andreyev, Anatole France, Olivia Howard Dunbar, Richard Le Gallienne, Sax Rohmer, Horace Walpole, William Thomas Beckford, Matthew Gregory Lewis, Ann Radcliffe, Jane Austen, John William Polidori, Charlotte Brontë, Emily Brontë, Marjorie Bowen, George W. M. Reynolds, M. P. Shiel, Adelbert von Chamisso & S. Mukerji e-artnow presents to you this unique Halloween collection of the greatest horror classics, the darkest mysteries and supernatural tales:
H. P. Lovecraft:
The Dunwich Horror.
The Legend of Sleepy Hollow
Rip Van Winkle
The Spectre Bridegroom
James Malcolm Rymer & Thomas Peckett Prest:
Sweeney Todd, the Demon Barber of Fleet Street
Edgar Allan Poe:
The Fall of the House of Usher
The Cask of Amontillado
The Pit and the Pendulum…
The Heir of Mondolfo
The Invisible Girl…
The Turn of the Screw
The Ghostly Rental…
John William Polidori:
The Lair of the White Worm…
Robert Louis Stevenson:
Strange Case of Dr Jekyll and Mr Hyde
The Phantom of the Opera
The Mystery of Edwin Drood
The Haunted House
To Be Read At Dusk…
The Picture of Dorian Gray
The Mummy's Foot
Arthur Conan Doyle:
The Hound of the Baskervilles
The Silver Hatchet…
Joseph Sheridan Le Fanu:
Matthew Gregory Lewis:
The Mysteries of Udolpho
The Woman in White
The Devil's Spectacles
The Phantom Rickshaw
Guy de Maupassant:
M. R. James:
Ghost Stories of an Antiquary
A Thin Ghost and Others
The Birth Mark
The House of the Seven Gables…
Can Such Things Be?
William Hope Hodgson:
The House on the Borderland
The Night Land
The Castle of Otranto
William Thomas Beckford:
George W. M. Reynolds:
Wagner, the Wehr-Wolf
Ghosts and Family Legends
What the Shepherd Saw
The Grave by the H
Mary Shelley A Vigo Classics book
Mary Shelley's classic work of horror and science fiction tells the story of Victor Frankenstein, a brilliant scientist who discovers how to create life. But when he rejects the horrific monster he creates, his spurned creation seeks its revenge.
Mary Shelley Frankenstein or "The Modern Prometheus" is a novel about a failed experiment that produced a monster, written by Mary Shelley, with inserts of poems by Percy Bysshe Shelley. Shelley started writing the story when she was eighteen, and the novel was published when she was twenty-one. The first edition was published anonymously in London in 1818. Shelley's name appears on the second edition, published in France in 1823.
Shelley had traveled the region in which the story takes place, & the topics of galvanism & other similar occult ideas were themes of conversation among her companions, particularly her future husband, Percy. The actual storyline was taken from a dream. Mary Shelley was talking with him & two other writer-colleagues, Lord Byron, and John Polidori, & they decided they would have a competition to see who could write the best horror story. After thinking for weeks about what her possible storyline could be, Shelley dreamt about a scientist who created life and was horrified by what she had made.
Mary Shelley Mary Shelley’s tragic story of a scientist who created a monster is perhaps even more compelling and meaningful today than when it was written nearly two centuries ago. From the bits and pieces of dead bodies, and the power of electricity, the brilliant Victor Frankenstein fashions a new form of life—only to discover, too late, the irreparable damage he has caused.
Mary Shelley ‘Frankenstein; or, The Modern Prometheus’, is a novel written by English author Mary Shelley about the young student of science Victor Frankenstein, who creates a grotesque but sentient creature in an unorthodox scientific experiment. Frankenstein is infused with elements of the Gothic novel and the Romantic movement and is also considered to be one of the earliest examples of science fiction.
‘Frankenstein’ is written in the form of a frame story that starts with Captain Robert Walton writing letters to his sister. It takes place during an unspecified time in the 18th Century, as the letters’ dates are shown as «17—».
The ebook edition of ‘Frankenstein; or, The Modern Prometheuss’ from Animedia Company includes the Percy Bysshe Shelley’s review and the Walter Scott’s review of Mary Shelley’s ‘Frankenstein’.
Charles Dickens, George Eliot, Charlotte Brontë, William Shakespeare, John Milton, Jonathan Swift, Daniel Defoe, Henry Fielding, Laurence Sterne, Jane Austen, William Makepeace Thackeray, P. B. Shelley, Mary Shelley, John Keats, Emily Brontë, Thomas Hardy, Elizabeth Von Arnim, D. H. Lawrence, Ann Ward Radcliffe, Bram Stoker, Arthur Conan Doyle, Joseph Conrad, Oscar Wilde, Lewis Carroll, Frances Hodgson Burnett, George Grossmith, Weedon Grossmith, H.G. Wells, Wilkie Collins, G. K. Chesterton, E. M. Forster, T. S. Eliot, James Joyce, George Bernard Shaw, W. B. Yeats, Sir Walter Scott, Robert Louis Stevenson, Kenneth Grahame, George MacDonald & James Matthew Barrie This meticulously edited collection is formatted for your eReader with a functional and detailed table of contents:
Romeo and Juliet (Shakespeare)
Paradise Lost (John Milton)
Gulliver's Travels (Jonathan Swift)
Robinson Crusoe (Daniel Defoe)
The History of Tom Jones, a Foundling (Henry Fielding)
Tristram Shandy (Laurence Sterne)
Pride & Prejudice (Jane Austen)
Sense and Sensibility (Jane Austen)
Vanity Fair (William Makepeace Thackeray)
Ode to the West Wind (P. B. Shelley)
Frankenstein (Mary Shelley)
Odes (John Keats)
Jane Eyre (Charlotte Brontë)
Wuthering Heights (Emily Brontë)
Middlemarch (George Eliot)
David Copperfield (Charles Dickens)
Great Expectations (Charles Dickens)
Tess of the d'Urbervilles (Thomas Hardy)
Jude the Obscure (Thomas Hardy)
The Enchanted April (Elizabeth von Arnim)
Sons and Lovers (D. H. Lawrence)
The Mysteries of Udolpho (Ann Ward Radcliffe)
Dracula (Bram Stoker)
A Study in Scarlet (Arthur Conan Doyle)
Heart of Darkness (Joseph Conrad)
The Picture of Dorian Gray (Oscar Wilde)
Alice in Wonderland (Lewis Carroll)
The Secret Garden (Frances Hodgson Burnett)
The Lion, the Witch, and the Wardrobe (C. S. Lewis)
Diary of a Nobody (George and Weedon Grossmith)
The Time Machine (H. G. Wells)
The War of the Worlds (H. G. Wells)
The Woman in White (Wilkie Collins)
The Innocence of Father Brown (G. K. Chesterton)
Howards End (E. M. Forster)
The Waste Land (T. S. Eliot)
Ulysses (James Joyce)
Pygmalion (George Bernard Shaw)
Arms and the Man (George Bernard Shaw)
The Second Coming (W. B. Yeats)
Ivanhoe (Sir Walter Scott)
Strange Case of Dr Jekyll and Mr Hyde (Robert Louis Stevenson)
The Wind in the Willows (Kenneth Grahame)
Phantastes (George MacDonald)
Peter and Wendy (J. M. Barrie)
Félix María Samaniego, Esopo, Charles Perrault, Mary Shelley, Tomás de Iriarte & Robert Southey Según el diccionario de la lengua, moraleja es aquella lección o enseñanza que se deduce de un cuento, fábula, ejemplo o anécdota. La moraleja sirve de lección para el vivir humano y aporta el conocimiento de lo que se considera moral, evitando los prejuicios y estereotipos, de ahí su enorme valor educativo para los niños. “12 cuentos con moraleja que todo niño debe conocer” presenta, en este primer volumen, 12 de los cuentos infantiles con enseñanza más conocidos de todos los tiempos. Una delicia que hará aprender tanto a mayores como a pequeños. Los cuentos incluídos son:
La tortuga y la liebre (Esopo)
La gallina de los huevos de oro (Esopo)
Cabellos de oro y los tres osos (Robert Southey)
El burro flautista (Tomás de Iriarte)
Los tres cerditos (Anónimo)
La cigarra y la hormiga (Félix María Samaniego)
El lobo y la cigüeña (Félix María Samaniego)
La zorra y las uvas (Félix María Samaniego)
Congreso de ratones ¿Quién le pone el cascabel al gato? (Félix María Samaniego)
Piel de asno (Charles Perrault)
El rey Midas (Mary Shelley)
Mary Shelley This carefully crafted ebook: "Frankenstein - The 'Uncensored' Original 1818 Edition” is formatted for your eReader with a functional and detailed table of contents. This original version is much more true to the spirit of the author's original intentions than the heavily revised 1831 edition, edited by Shelley, in part, because of pressure to make the story more conservative. Many scholars prefer the 1818 text to the more common 1831 edition. Frankenstein; or, The Modern Prometheus is a novel written by Mary Shelley about a creature produced by an unorthodox scientific experiment. Shelley started writing the story when she was nineteen, and the novel was published when she was twenty-one. The first edition was published anonymously in London in 1818. Shelley's name appears on the second edition, published in France in 1823. Shelley had travelled in the region of Geneva, where much of the story takes place, and the topics of galvanism and other similar occult ideas were themes of conversation among her companions, particularly her future husband, Percy Shelley. The storyline emerged from a dream. Mary, Percy, Lord Byron, and John Polidori decided to have a competition to see who could write the best horror story. After thinking for weeks about what her possible storyline could be, Shelley dreamt about a scientist who created life and was horrified by what he had made. She then wrote Frankenstein.