Mary Beard A sweeping, revisionist history of the Roman Empire from one of our foremost classicists.
Ancient Rome was an imposing city even by modern standards, a sprawling imperial metropolis of more than a million inhabitants, a "mixture of luxury and filth, liberty and exploitation, civic pride and murderous civil war" that served as the seat of power for an empire that spanned from Spain to Syria. Yet how did all this emerge from what was once an insignificant village in central Italy?
In SPQR, world-renowned classicist Mary Beard narrates the unprecedented rise of a civilization that even 2,000 years later still shapes many of our most fundamental assumptions about power, citizenship, responsibility, political violence, empire, luxury, and beauty. From the foundational myth of Romulus and Remus to 212 CE, nearly a thousand years later, when the emperor Caracalla gave Roman citizenship to every free inhabitant of the empire, SPQR (the abbreviation of "The Senate and People of Rome") not just examines how we think of ancient Rome but challenges the comfortable historical perspectives that have existed for centuries by exploring how the Romans thought of themselves: how they challenged the idea of imperial rule, how they responded to terrorism and revolution, and how they invented a new idea of citizenship and nation.
Opening the audiobook in 63 BCE with the famous clash between the populist aristocrat Catiline and Cicero, the renowned politician and orator, Beard animates this "terrorist conspiracy", which was aimed at the very heart of the republic, demonstrating how this singular event would presage the struggle between democracy and autocracy that would come to define much of Rome's subsequent history. Illustrating how a classical democracy yielded to a self-confident and self-critical empire, SPQR reintroduces us, though in a wholly different way, to famous and familiar characters.
Mary Beard One of the world's leading historians provides a revolutionary tour of the Ancient World, dusting off the classics for the twenty-first century. Mary Beard, drawing on thirty years of teaching and writing about Greek and Roman history, provides a panoramic portrait of the classical world, a book in which we encounter not only Cleopatra and Alexander the Great, Julius Caesar and Hannibal, but also the common people - the millions of inhabitants of the Roman Empire, the slaves, soldiers, and women. How did they live? Where did they go if their marriage was in trouble or if they were broke? Or, perhaps just as important, how did they clean their teeth?
Effortlessly combining the epic with the quotidian, Beard forces us along the way to reexamine so many of the assumptions we held as gospel - not the least of them the perception that the Emperor Caligula was bonkers or Nero a monster. With capacious wit and verve, Beard demonstrates that, far from being carved in marble, the classical world is still very much alive.
Mary Beard & John Henderson This Very Short Introduction to classics links a haunting temple on a lonely mountainside to the glory of ancient Greece and the grandeur of Rome, and to Classics within modern culture - from Jefferson and Byron to Asterix and Ben-Hur.
We are all Classicists - we come into touch with the Classics daily: in our culture, politics, medicine, architecture, language, and literature. What are the true roots of these influences, however, and how do our interpretations of these aspects of the Classics differ from their original reception?
This introduction to the Classics begins with a visit to the British Museum to view the frieze which once decorated the Apollo Temple at Bassae. Through these sculptures, John Henderson and Mary Beard prompt us to consider the significance of Classics as a means of discovery and enquiry, its value in terms of literature, philposophy, and culture, and its importance as a source of imagery.
Mary Beard From prehistoric Mexico to modern Istanbul, Mary Beard looks beyond the familiar canon of Western imagery to explore the history of art, religion, and humanity. Conceived as an accompaniment to How Do We Look and The Eye of Faith, the famed Civilizations shows on PBS, renowned classicist Mary Beard has created this elegant volume on how we have looked at art. Focusing in Part I on the Olmec heads of early Mesoamerica, the colossal statues of the pharaoh Amenhotep III, and the nudes of classical Greece, Beard explores the power, hierarchy, and gender politics of the art of the ancient world, and explains how it came to define the so-called civilized world. In Part II, Beard chronicles some of the most breathtaking religious imagery ever made - whether at Angkor Wat, Ravenna, Venice, or in the art of Jewish and Islamic calligraphers - to show how all religions, ancient and modern, have faced irreconcilable problems in trying to picture the divine. With this classic volume, Beard redefines the Western- and male-centric legacies of Ernst Gombrich and Kenneth Clark.
Mary Beard & Silvia Furió Mary Beard no es solo la clasicista más famosa a nivel internacional; es también una feminista comprometida y como tal se manifiesta asiduamente en las redes sociales. En este libro muestra, con ironía y sabiduría, cómo la historia ha tratado a las mujeres y personajes femeninos poderosos. Sus ejemplos van desde el mundo clásico hasta el día de hoy, desde Penélope, Medusa o Atenea hasta Theresa May y Hillary Clinton. Beard explora los fundamentos culturales de la misoginia, considerando la voz pública de las mujeres, nuestras suposiciones culturales sobre la relación de las mujeres con el poder y cuánto se resisten las mujeres poderosas a ser sometidas a un patrón masculino.
Con reflexiones personales sobre sus propias experiencias de sexismo y agresión de género que ha soportado en las redes sociales, la autora pregunta: si no se percibe que las mujeres están dentro de las estructuras del poder, ¿no es necesario redefinir el poder?